"I cannot live without books." -- Thomas Jefferson

Thursday, August 28, 2014

Book Soup presents Sheila E in conversation with Billboard editor Gail Mitchell about her memoir, The Beat of My Own Drum

 We are really excited to be hosting Sheila E at the Montalban Theatre in Hollywood on Wednesday, September 10th! Some of you are very familiar with her work, some of you think you may know, but everyone has heard her work. She has worked with musicians across genres including Lionel Richie, Marvin Gaye, George Duke, Beyonce, Kanye West, Ringo Starr and yes, Prince!

The beat is in her bones you might say, as her father Pete Escovedo is a percussionist and her uncle is Alejandro Escovedo. She often performs with them. She has had a long and distinguished career, center stage and behind the drum kit.  We're excited to read The Beat Of My Own Drum: A Memoir when it is released next Tuesday, September 2nd and we are honored to be her only Los Angeles appearance in support of this book.

 

ICON is her first solo album in 13 years and is available now EVERYWHERE!

You can purchase tickets for this event at this link:  http://www.booksoup.com/sheila-e-2014

Of Fathers & Sons


This is more of a detective story than a "woe is me" memoir which is a real testament to the swift storytelling of this talented man. The subject matter could have been morose but it wasn't. The zig-zag back and forth in time kept me turning pages quickly. I knew a bit about the author going in, but learned a lot in reading. This author leaves it all on the table and doesn't hold back. You'll never feel pity for him, though to be fair, he came a long way baby!

Alan Cumming's memoir Not My Father's Son will be published by Dey Street Books on October 7th. 

Wednesday, July 9, 2014

Catching Up With Edan Lepucki


After considerable buzz California, the debut novel by Edan Lepucki finally landed in bookstores yesterday.  Edan is appearing at our sister store Vroman's in Pasadena tonight (Wednesday, July 9th) and she took a few moments out of her very busy schedule to answer a few questions for us.
 
1. California taps into some very real fears about where we might be going but it's not paranoid. How did it come about exactly?

The idea for the book came to me in pieces. The idea for a 'post-apocalyptic domestic drama' popped into my head, and I wasn't sure what I meant, but I was hooked! Then, one night, I was driving down Sunset and the streetlights were out, and the darkness was eerie. It made me wonder what would happen if the city fell apart, couldn't provide services, etc. I went from there. I wanted to write a ruined world that didn't feel too far off for the reader: that feels more plausible and thus scarier.

2. Do you spend a lot of time in nature? Are you a camper?


No! I love nature and want to preserve it...for animals. And human nature lovers. I am allergic to camping. And yet, I love reading about people going out into the wilderness. I love the novel My Abandonment by Peter Rock, and the movie Badlands, for instance.

3. You worked at Book Soup in college and again after and you met your husband here.  Any fun Book Soup stories you'd care to share?


Book Soup was an education as rich as the one I got at Oberlin and Iowa. I read so much and was exposed to so many people and ideas. I met Gabriel Garcia Marquez in 2003 or so--who came in to shop! I waited on Michael Jackson! We heard about the death of Helmut Newton before the press did because the Chateau Marmont called looking to buy his photo books a few minutes after his car crashed into their hotel. And two words for you: Faye. Dunaway.

4. When did you know you'd be getting the "Colbert Bump"?

I heard that Sherman Alexie was going to talk about my book on Colbert's show the day before it happened...but then they told me it might not happen. The next day, they called back and said it was on! Even then, I didn't realize how big it would turn out to be. The Colbert bump for my novel is way bigger than a bump! I am amazed and grateful.

Monday, June 16, 2014

The very funny Jerry Mahoney writes about his experience as an author at his Book Soup event

"If you don’t know Book Soup, let me tell you a little about it. It’s an old school bookstore, full of books that rise up from the floor and stretch to the ceiling, everywhere you turn. It’s the kind of store where you might sometimes have trouble finding just what you’re looking for, but you’ll always enjoy the search, and along the way, you’ll find a dozen things you didn’t even know you wanted that look just as great. It’s a browser’s bookstore, and it’s in probably the best spot in West Hollywood, right on Sunset Boulevard, very close to where many of your favorite celebrities have been arrested."

http://jerry-mahoney.com/2014/06/16/l-a-reading-madhouse/

There is a lot left in June! Join us for one of these great events!


Thursday, September 5, 2013

5 Questions with Dolores DeLuce!


1. You have lived a remarkable and very public life. What motivated you to write your memoir?

My early writing sprang out of my performance days in 70s San Francisco where I wrote scenes collectively with White Trash Boom Boom. We were an all girl comedy troupe who wowed the boys in SF Gay Bars and performed for women behind bars.

When I moved back to LA to pursue more mainstream acting I found few opportunities to audition for legitimate work on stage or screen so I began to write auto-biographical one woman shows. After a decade of writing, producing, creating and sewing my costumes and sometimes even directing myself for several productions, my energy began to wane for live theatre. I moved on to writing screenplays, always including a comedic character bit part for myself in the story. I noticed that even my most fictitious stories were heavily influenced by own real life events.

I think I'm a story teller by nature and whenever I would share tidbits of my life with new friends, particularly younger people or straighter friends, I often witnessed their jaws dropping in reaction to these true stories. I was often told that my real life experiences were stranger than fiction. That encouraged me to start writing them down and then do readings about town. When the AIDS crises hit my theatrical community head on, the grief of losing so many of my closest friends almost buried me alive and at that point I joined a writers' group at APLA that helped me to write and process a lot of that loss.

I think this memoir was in the works long before I realized it but came out in the form of a screenplay first, titled Grace Happens that was a semi-finalist at the Austin Screen Writing Competition in the late 90's. It was optioned once but never made. The feedback was that it was too episodic and my story would be better served as a book.

It took me almost another decade to get over the idea that no one would read a memoir about someone who wasn't famous but by the time I was past 60 and post menopausal, I said who cares, I'm writing it anyway. If not now, when?

2. Favorite stop in LA?

My favorite spot is my own rent controlled apartment on a quite walk way in Venice Beach. I moved there in 1980 when the rent was about $450 for a two- bedroom, one bath, without parking and laundry. But it's on one of the most beautiful blocks that run into the ocean. When I moved into the second story of the duplex, I had a clear view of the ocean, beach and boardwalk because my building was surrounded by empty lots on both sides. In the decade to follow, million dollar condos filled in the sandy lots and a two story artist loft was built and designed by the same architect who did MOCA. When the original owner got bored with the neighborhood she sold it to Erick Clapton who was my neighbor for a few years. Besides the location, the miracle of my home is that it is still under LA city rent control and all the buildings surrounding it were built according to modern building codes which placed them several feet back from the front walkway leaving my apartment the only one that still has an ocean view.

3. You ran with drag queens before it was safe to do so. Tell us a bit about performing with the Cockettes.

I have written lots about this in the book so I'll keep this answer short. Doing my first show with the Cockettes on stage at the Palace Theatre in North Beach, San Francisco had the same force and impact on my life as the big quake of 1906 did on Jeannette Mac Donald in the movie San Francisco. It was a magic doorway into a wonderland that I had only glimpsed in my childhood dreams. It was a wake up call to the desires I had repressed as a child growing up in my working class Italian family in New Jersey. I think I'll leave it at that, since I intend to read the chapter about that first experience performing with the Cockettes at my Reading on Sunday at Book Soup.

4. Where can people see you perform & read your stories these days?

I have read several times at Tasty Words, produced by Wendy Hammers in Santa Monica over the last 9 years. In the past year I got up on stage at the Moth and about every other month or so I perform with my current writer's group, Queerwise directed by Michael Kearns. We are a gang of LGBT seniors from 50's to our oldest writer at 84 and all of us have a lot of life to share. Look up and Like Us on the Queerwise page on Facebook for our next show.

5. You write lovingly of your daughter Viva, and she is a singer/performer as well. How active are you in her career?
 

Well besides being her biggest fan and posting like a mad woman all over face book and twitter whenever and where ever she is performing, I tried to manage her over sees contracts for awhile. With her encouragement, I even started a Global Talent Agency http://divadot.com/ until I got too busy to keep it up. I booked some of her talented singer/musician friends as well at over sees venues in Vietnam and Thailand and Hong Kong. Viva stopped traveling over the past four years to stay close to home and build her career here but on the same day that I had my first book launch event in San Francisco last month; she flew off to Singapore for a four month contract to sing at a 5 star hotel. We Skype a lot and if I have any energy left after I end my book tour in November, I might go over and join her for her last few weeks in Asia. We both will need a well deserved spa retreat in Thailand. 


Dolores DeLuce discusses and signs My Life, a Four Letter Word: Confessions of a Counter Culture Diva at Book Soup on Sunday, September 8, 2013 at 2pm!

Wednesday, September 4, 2013

Book Soup presents Greg Sestero and The Disaster Artist: My Life Inside the Room, the Greatest Bad Movie Ever Made


The hilarious and inspiring story of how a mysterious misfit got past every roadblock in the Hollywood system to achieve success on his own terms: a $6 million cinematic catastrophe called "The Room."
Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau’s scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, I have to do a scene with this guy. That impulse changed both of their lives. Wiseau seemed never to have read the rule book on interpersonal relationships (or the instructions on a bottle of black hair dye), yet he generously offered to put the aspiring actor up in his LA apartment. Sestero’s nascent acting career first sizzled, then fizzled, resulting in Wiseau’s last-second offer to Sestero of costarring with him in "The Room," a movie Wiseau wrote and planned to finance, produce, and direct in the parking lot of a Hollywood equipment-rental shop.   Wiseau spent $6 million of his own money on his film, but despite the efforts of the disbelieving (and frequently fired) crew and embarrassed (and frequently fired) actors, the movie made no sense. Nevertheless Wiseau rented a Hollywood billboard featuring his alarming headshot and staged a red carpet premiere. "The Room" made $1800 at the box office and closed after two weeks. One reviewer said that watching "The Room" was like getting stabbed in the head.   The Disaster Artist is Greg Sestero s laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make the "Citizen Kane" of bad movies ("Entertainment Weekly"), which is now an international phenomenon, with Wiseau himself beloved as an oddball celebrity. "The Disaster Artist" is an inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of an enigmatic man who will improbably capture your heart. (Simon & Schuster)

This is event will include a screening of a behind the scenes documentary on the making of The Room complete with actor interviews - followed by a talk & book signing with author Greg Sestero and The Room mastermind, Tommy Wiseau.



This is event will be held at the New Beverly Cinema located at 7165 Beverly Blvd, Los Angeles. $5 entry fee or free w/ purchase of book, at door.  Only books purchased from Book Soup will be signed after the screening & discussion.

http://www.booksoup.com/greg-sestero-2013 

Monday, August 5, 2013

5 Questions with Sam Halpern, author of A Far Piece to Canaan


1. How does an accomplished professor of nuclear medicine come to write fiction?

I’ve been writing since I was five. My first composition was in red crayon on the living room wall. My mother panned what I considered a brilliant piece of work. My interest in writing has continued all my life. Even as my medical career and family responsibilities increased, I continued to write, getting up before dawn to get in an hour or two before going to work. Eventually demands of career and family forced a hiatus in my writing, but when I retired from academia, I took up writing full time.

2. What is your favorite stop in Los Angeles?

That’s easy -- the home of Justin, Amanda and my grandson, Nathaniel.

3. Who are your literary influences?

First comes Mark Twain. Twain is the most important Southern writer and has had a huge influence on all American literature.  I think Huckleberry Finn initiated a new writing style when it was published; one so close to the people and places he wrote about that it invites you to appreciate the story with all five of your senses. Another writer who influenced me was John Steinbeck. I don’t know how many times I’ve read Of Mice and Men and his other short novels. Grapes of wrath, of course, helped change our nation.  Steinbeck was a great story teller, and readers remember his characters because they were so close to our own humanity. Hemingway’s Old Man and the Sea taught me that a writer must know his characters so well they can enter their souls and put more than just their thoughts on paper.
 
4.You are perhaps infamous for your frank and colorful advice. What advice would you give to young writers?

The first thing you need to do is read one book that covers such things as person, point of view, arc, etc. then throw the son of a bitch away and don’t look in another one. Read good literature by accomplished authors and see how they used the rules of writing. Then stop screwing around, sit your ass down and write. Don’t write about molecular biology if you think a base pair is a piece of bad fruit. Write what you know. Get a writing group together, people who read good literature and are serious about writing. Don’t have more than six people in the group and five is optimal. Check your ego at the door and listen to the criticism of what you read.  Evaluate every critique when you get home and take time to consider it.  I have a rule. If one person thinks something needs changing and no one else does, I give it serious thought, but if two people think it needs changing, I make changes. Finally, if you want to write for publication and keep getting rejection letters from agents, do not stop writing! Remember, if you slam your guts against a door long enough people will open it, if for no other reason than to get rid of the noise.

5. What was it like to watch William Shatner play you on a television program?

It was funny. Many years ago some magazine voted Shatner one of the sexiest men in America. I’ve been homely as a mud fence all my life. I laughed for months about Shatner playing me.