"People" by Blexbolex

The cover of "People' drove me to this book. At first it looks like a great kids book - and technically it is, but alas, there is something being said here that is not obvious. Typically Blexbolex draws an image of a music "conductor" but then on the opposite page, with the same held baton he draws a "tyrant." So one" starts to make comparisons between the two pages. Another example is an illustration "party goers" and the opposite page is "hermit." And so forth.

There is something very Jacques Tati about it all. It maybe due to the retro look of the book, but also the commentary on the images where one thinks there would be no commentary. "People" serves many purposes. It can be an excellent book for a second language reader, or for those who need graphic design ideas, or..... there is the textural meaning what it means to be labeled and filed in a specific manner and form. Blexbolex is working on many levels here and this is an excellent book.

McKenzie Wark's "The Beach Beneath The Street"

Without a doubt one of the better books out there on the Situationist International. And come to think of it maybe the best overall history of the movement that wasn't really a movement at all. McKenzie Wark breaks down all the main characters in this world - and tells exactly what they contribute to the literature or the series of actions that makes up Guy Debord and his world. And speaking of Debord there are a lot of others who contribute to this living critique of our world. 

I am also happy that there is great mention of Boris Vian and even my Dad shows up on these pages. Especially the fascinating chapter on the Scottish writer and the man who was always in the right place, right time and even more important - the right people, Alexander Trocchi. This is very much an essential guide to the Situationists and all the by-products of their culture that came before and even after. And the cover turned poster - is a must as well!

Jake Arnott's "Johnny Come Home"

At last! The first 70's glam rock novel. And by the wonderful London observer and stickler to details - Jake Arnott. Like Arnott's great London 60's crime novel "The Long Firm," "Johnny Come Home" takes an intense look into the music scene of London's glitter era. Johnny, is sort of based on Gary Glitter - but I don't think it is actually him, just image wise. But the narrative deals with a gay couple involved in radical politics as well as a woman who is in that world as well as getting involved with a glam-struck rent boy, who is basically supported by the Gary Glitter character.

The novel is pulpy, but it is also a great snapshot of London culture and Arnott has a great feel for that time and the Capital's damaged citizens. Essential rock n' roll read.

Arthur Rimbaud's "Illuminations" (translated by John Ashbery)

I think what's amazing here is that a magnificent American Poet John Ashbery at the age 83 (or something like that) translated the great poetry of Arthur Rimbaud, whose poems were written when he was in his teens. The ultimate teenage rebel icon touched by the grand poet of American letters, whose work is still controversial and has a bite. One wonders what took so long? 
The truth is in this book, well, kind of. Rimbaud will always be this cloud that floats above us. It is there to be captured and read, but can one ever own the feverish imagery of his poems? Rimbaud's work is in Ashbery's DNA by now. 'Illuminations' is one of those perfect books or even moments, and Ashbery captures the essence and flavor of Rimbaud's vision and words. Mega-important!

"David Bowie: Starman" by Paul Trynka

Two words, David Bowie. And its two words that i say to myself for the past 40 years or so. I wouldn't say I was obsessive about the man and his work, but for sure a fan. And I don't think he's a genius. I think he is a highly motivated hard worker who had to study his craft to become what he had become. Which, of course, is a great pop star - and an incredible singer. But also a wow gee songwriter. In other words he has the whole package. 
The theater world, the black american music world, the gay world, and of course the pure showbiz of it all that is one thing that separates Bowie from other rock artists - his love and respect for showbiz. He may grown to hate it, but he will never deny its special power over himself and his audience. 
My favorite part of the Bowie story is his young years trying to break into the pop music world. And he tried for at least 12 years before the Ziggy Stardust thing happened. No overnight success story here, but just a lot of hard work and hustling. And speaking of hustling, this bio really shines on the gay British pop music world of the early 60's. Bowie knew who was spreading the butter - and he played up to the expectations of that world. 
There are a lot of good books on Bowie and there will be more. But this is an exceptionally good biography on the man, and one still after reading it, wants to know more. And that is why he's a star.

"The Record Players: DJ REVOLUTIONARIES by Bill Brewster & Frank Broughton

Bill Brewster and Frank Broughton's previous book "Last Night A DJ Saved My Life" is probably one of the best music orientated books ever. The mighty two here goes into the culture of the DJ with all its subtitles and layers of what that means. "Last Night..." deals with the history of someone playing a recording for someone else - and therefore many sub-cultures were invented for this purpose. I think what was remarkable about this book is that I had very little interest in DJ Music. But then I read the history..... Oh man its interesting. And totally open to anyone who likes to read about pop culture history. Excellent book. 
And now we have their "The Record Players" and it too is fascinating, but it is a weaker book due that we don't have the dynamic narrative to go with it. Yet, who gives a shit. This is an essential group of interviews with important and very top DJ's. Everything from late 50's British DJ's to Techno and beyond. What is conveyed in this book is the love of the recording and its music. A lot of the key people are interviewed such as John Peel, Tom Moulton, Jimmy Savile (yes even him!), Frankie Knuckles, Afrika Bambaaataa, Francois Kevorkian, and so on. So yeah get "Last Night A DJ Saved My Life" first, but then go to this one. One can smell the DJ Booth off the page.

Richard Prince's "American Prayer"

A collector to me is always someone who exposes him or herself via their obsession or collection.  Richard Prince is an artist who totally focuses on the importance of the image and how that image is used in various contexts.  So its fascinating how he takes on something so personal - in other words his book collection.  And it is a book collection to end all book collections.  He has many signed rare editions, but also loves the nature of the pulp paperback - but even that has a rare quality to it.

The books he mostly collects are editions that were produced in 1949 to the year 1984. "1984" being one of his favorite novels, which was written in 1949, and by chance also the year of his birth.  So this is a collection that defines Prince as an individual and an artist.  This beautiful book has tons of book covers - but more importantly documents various titles.  For instance he has every version of "On The Road" possible, but beyond that he has editions that are signed by Kerouac to various greats - William Burroughs, Ginsberg, Vidal, etc.  And the fact that he somehow got these signed books is surely a man focused on the communication between the writer and his readers/friends.   He also collects Jimi Hendrix letters - which as far as I know have never been published before - but that's fascinating.

But the meat and potato of his collection is 20th Century classics - and how those classics talk to him as an artist is really something.  This has to be one of the great books on an artist and his muse - books.  And  the fact that we get some great excerpts is a plus as well.  A book that can be in the art  as well as in the literary criticism section.  Love it.

Oriana Small's "Girlvert: A Porno Memoir"

Oriana Small is a big talent as a writer. And one of great charm as well. And it is unusual (for me) to find great charm in the world of Porn. Nevertheless "Girlvert" is a journey into the heart of the valley (San Fernando Valley to be exact), the headquarters that is everything Porn.
I used to work on Sherman Way in Reseda in the 80's and I would see many of the sex club workers, porn actors and actresses as well as all the other by-products of that field and era. "Boogie Nights" captures that time, place and period quite well, and "Girlvert" also gives me a birds-eye view of porn filming and living. Although the world in the book takes place in the 21st Century, it still seems very 80's like. Some things never change.
Oriana Small is a porn actress who goes by the name of Ashley Blue, and appeared in hundreds of films. One becomes numb reading one sex act after another, but the tedious aspect of such a life is so well developed by Small's talent as a memoir writer. She is only 29 (at the time of writing this book) and yet wise way beyond her years. In her glory period as a porn actress, she was very much focused on the moment, and the book comments on the need to stay stoned or in some sort of high. What struck me interesting is that it can be any type of job where you have to perform - and the strain of keeping that lifestyle or drug use up just to make it to the next day or even moment is a fascinating process. Her lifestyle becomes bizarre in the sense that she couldn't fully see the big picture, but the details were being focused - but only for that moment or two. Therefore, due to the drinking/drug input and just having a great deal of cash around - the focus is only for the next 12 hours or so.
Small specialize in doing all the hard-core porn performances and her approach to doing these scenes are interesting in that she is always rebelling against something out of her past. Her family life was messed up and that is totally not out of the norm, but she had to do something to make a mark on this world. And at that time it was her talent to do porn. And porn is an interesting medium because there is something else being played out besides the erotica or the erotic impulse. The power shift between the partners being filmed or directed. A lot of it is just to produce a product to sell, but there is also an art to it as well. But one can watch these films as a weird fantasy land, where one acts out their sexual/violent impulses – or is it a world that is designed by the producers/actors/director – or how much imput does it come from its viewers/audience? There is a mechanical aspect of porn that leaves me numb, but then again, may be the numb part is an aesthetic of some sort.
For her "Girvert" film series, she sees herself as more as a performance artist. Small has no regrets for the life she had lived (and still does in a sense by working with her talented porn director/photographer & husband Dave Naz) because she sees it as an unique life experience. This is not a book of woe, but more of a personal journey into an unique and very specialized world. Porn, in general is boring, but when you have a character you care about or find interesting, or at times the way it's shot, it is something else above the average viewing of bodies mixing together.
Also the design work on this book is top-notch. Its a beauty of a production, and Oriana Small fits in pefectly with the elegence of the design. As a writer, I think we will read her works for many years to come.

"Television: Marquee Moon" by Bryan Waterman

I have strong memories being a total Television obsessive before hearing one note of their music. Their visuals got me. A band looking this cool, I knew had to sound great. When I first bought the single "Johnny's Little jewel" it was like a dream coming to life. I knew this song was an odd choice for a single, and the author Bryan Waterman brought this up - but then again, one can tell by the visuals that Television were never going to play by the rules. If Tom Verlaine and company were animals, they would be under-fed house cats. Totally proud, and happy in their own world. But once they find food, they're going to tear into it like wild animals. 
And their music conveys that tension to me. When I heard the first note of "See No Evil," the opening song to their album "Marquee Moon" it was like being stabbed by electric guitars in a dark alley. Very violent, and very poetic. To this day, and many years after, it still gives me goose bumps. And "Marquee Moon" is perhaps one of the great rock albums ever. I want to say the greatest of the greats, but ..... is that too dramatic of a statement? 
As a music movement (which it wasn't really) the CBGB years were magnificent. I don't know if it was in the NYC water system, but it seems like the early to mid- 1970's brought out the genius of various folks there. The Ramones of course, but also Richard Hell, who is equally brilliant as Verlaine. The fact that both of them were in the same band drives me insane. Its too good! Besides Hell needed to have his own outlet -and he too made an incredible classic album "Blank Generation." 
And these two guys - Verlaine and Hell - were (or are) incredible poets. But focusing on "Marquee Moon," it is such a beautiful record with stunning songs. The ultimate guitar rave up album, but with the touch of "French Symbolic Poetry" thrown into the mix. But what Verlaine adds (besides his name) is a contemporary POV that is haunting and deeply romantic. But passionate in a very very cool way. 
Waterman's book is a good one. He touches on all the greatness in the band, and his focus on the lyrics is much needed. You may have read all the gossip in "Please Kill Me," but this is a much more reflective look into the mystique and wonder of Richard Lloyd, Fred Smith, Richard Hell, Billy Ficca, Patti Smith, and Tom Verlaine.

Tosh Talks June.03.2011 "" THE LOST ALBUM - A Visual History Of 1950's Britain" By Basil Hyman.

A great stunning book now at Book Soup.